Embracing the Next Global Art Revolution: The Legacy of Visual Poetry
- Poet29
- Jul 24
- 2 min read
Updated: Jul 25
Imagine for a minute being in Paris in 1925 when Picasso, Miró, and Dalí were not known; 100 years ago. Each returned to their individual home, only after exploring the avant-garde in Paris in the 1920s. History is a repetition of moments in time. You are being given the opportunity to collect in your hands the future of the next global art revolution. Take the time to explore the opportunity being presented to you. We have curated videos of Visual Poetry being burned in LA, drowned in Malibu, and at the Philadelphia Museum of Art. Elena Marini spent years in Paris as the muse to the greatest artists, sculptors, and photographers. She learned the avant-garde from the inside out. She returned to her home in Tuscany and became the greatest living Visual Poet. She flipped the coin to learn the narrative of visual poetry and became the only living Master of Visual Poetry inspired by her friendships with Miccini, Pignotti, and Lucia Marcucci. Finally, Sarenco, the Grand Master of Visual Poetry, handed her the torch to make visual poetry great around the world.
In 2025, Elena Marini presented 15 original works of visual poetry in the USA. The collectors and museums included a board member’s private collection at the Smithsonian Museum of Art, Renwick Gallery and the prestigious private collection at the Barnes Foundation, Philadelphia. In all, 15 new collectors culminating with an exhibition at the iconic Bergamot Station in Los Angeles, bG Gallery. One notable piece was the performance of a visual poetry drowning in the fountain and statue of George Washington.
The documentation of Elena Marini's work:
“Making Visual Poetry Great”
International artist, Elena Marini is already collected and exhibited in the libraries of MOMA, the Tate Gallery and the Reina Sofia in Madrid. She exhibited twice at the Hyogo prefectural Museum in Japan. Her work is in the most important private collections in Australia, Italy, Europe and now the USA. Her site-specific, large format three dimensional works of Visual Poetry at her winter exhibition and experience aimed at revitalizing the legacy of Visual Poetry. These large scale works will foster a renewed dialogue between the artwork and museum visitors, transforming the way audiences engage with Visual Poetry. For the first time, Visual Poetry will be recognized as the next great movement in art in America.
SPOT On
life is cinematic
Documentation & Curated by Raphael BarAdam-Gross (USA)
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